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Similar operations, using ethyl silicate as a consolidant, were carried out on the tesserae of glass affected by flaking phenomena. Once cohesion was reestablished in the weaker areas, the preliminary operations for the complete facing of the mosaic were carried out. Superficial deposits (earth, remains of mortar from previous interventions, loose incrustations) were cleaned, to allow good adhesion between the tesserae and the layers of facing, and loose residues in the interstitial spaces between the tesserae were extracted with a vacuum cleaner.
Several samples and both mortars were analyzed by X-ray diffraction to confirm their mineral chemistry. Petrographic observations were used to determine the rock name of each sample and to describe the features and textures present. Energy dispersive X-ray analysis was used to determine composition and scanning electron micrographs were taken to document the observed textures. Results The results for the study of the Roman tesserae are presented in Figures 45-58 and in Table 4. The results for the analysis of the study collection samples from the Basilica of Chrysopolitissa are summarized in Figures 60-65 and Table 4.
The drum in its locked position on the wooden rails, with canvasfacings attached. detached mosaic sharpened iron rod to aid detachment Detachment and Rolling of the Mosaic 19 operation commenced. Once the area with these lacunae had been rolled onto the drum, it was possible to cut through the facing fabric, the temporary mortar consolidation, and the wooden panels of the drum, in order to insert wooden poles radially into the drum (Fig. 12). T h e s e acted as levers and greatly facilitated the turning of the drum.
Alexander Kluge: Raw Material for the Imagination (Amsterdam University Press - Film Culture in Transition) by Tara Forrest